If there is a fly on your monitor you can shoo it away with your cursor. This makes sense but also has blown my mind into very small pieces and I probably won’t recover.
1. I’ve never really had a nickname, although my roommates call me Benjalls.
2. Currently reading Norman Mailer’s Prisoner of Sex alongside Germaine Greer’s The Female Eunuch, which I first read at fourteen, having picked it up at a library sale for five cents because it contained descriptions of the inside of a vagina.
3. I don’t know! I don’t have any desire to in the near future, but if I didn’t nurture a healthy distrust of my ability to predict Future-Ben’s preferences, I’d have a Fight Club tattoo on my back from my freshman year of high school.
4. Red onion, then beetroot, then salmon.
There is no good reason to call a company Kickstarter when you could call it Funders Keepers.
Intelligence, eyes (you’ve got to have them; it’s a plus if they’re nice to look at), honestly/directness, willingness to go 50/50 on spooning positions.
I just fished a fruit fly out of a glass of wine with a bridge pencil, so I can afford to have these standards.
Hey so I noticed some things in Double Dutch Part 2 that I was wondering if you did on purpose.
Specifically, there seems to be a narrative about the tension between the sexes/genders, power struggles, and desire.
In “Here We Go” you use the “here we go” sample from Hey Arnold, and then it transitions into “Here It Goes” by OKGO. This seems to signal the start of the narrative/fight.